In Coralie Fargeat's new feminist horror movie The Substance, harmful popular appeal criteria are the real creatures. They (women objectification, the disposal of "the old," the spread of a field improved body modification) nourish a creature of a pattern that leads Demi Moore's fading television personality character Elisabeth Dazzle https://werckmeisterharmoniesfilm.loginblogin.com/36707346/the-substance-2024